Due to the limitations of computer screens, your particular screen settings, and the imperfections introduced through scanning and compressing
image files, these images of Scott's art pieces (even the large ones) are not perfect likenesses and fall short in clarity, colour, and accuracy.
All images on this website are owned by Scott Garriott and are protected by international copyright law
(explained in detail
here by "R.I.G.H.T.S.")
Watercolor Gallery
Click on these small images to view the art piece in a larger presentation. |
Dominion - Gyrfalcon. Watercolour - 1993. (click on the image!)
Limited Edition of 250 prints available
This is a fairly old piece but is included here because it is the first of my art pieces reproduced as a limited edition. I completed the painting during a few
short weeks of summer leave during my university years. The arctic gyrfalcon may be found in one of several different colour morphs. As this one is white, it is often
confused for a snowy owl. To those who make the mistake, I point out that owls are more round in shape and that the snowy owl has larger yellow eyes, a nearly
hidden black beak and feathered toes. |
Original: Private Collection
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| Fraser Lookout. Watercolour - 1999. (click on the image!)
This image represents one of the truly spectacular views to be had in the Cariboo/Chilcotin region of BC. I've been here many times and it's
still one of my favourite places. A short hike puts you more than 1300 feet directly above the mighty Fraser River, just south of
the Sheep Creek bridge (barely visible). Here pigeons flutter in and out of sink-holes and caves in the cliff-face and one is tempted
to throw a stone and count the seconds before its clattering sound returns from the rocky edge of the Fraser far below. |
Original: Private Collection
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| Farwell View. Watercolour - 1999. (click on the image!)
This view of the Chilcoten River is one I've enjoyed many times. In fact, it is so unique that I consider it an essential
experience for anyone wishing to say they saw the Chilcoten/Cariboo. As a result, I have dragged many weary, thirsty
friends from all over the world to the top of this partucular dune above Farwell Canyon. My Norwegian wife is one, and
she was rather indignant that when I painted this, I ommitted her (her bikini-clad figure was front and center in the
photo). This painting is meant to complement the former (Fraser Lookout). |
Original: Private Collection
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| Lunch-Break, Violet-green Swallows. Watercolour - 1999. (click on the image!)
Painted from three photos of the same swallow as it sat on a wire in front of my grandfather's place in Sardis, this captured,
I thought, a moment in the birds' lives which seemed identical to our own lunch-break. I only wonder what their lunch-time
conversation consists of? These little guys are quite beautiful with an iridescent violet rump and tail, and metallic green
back and nape. A frustration with this painting is the optical illusion created by the curvature of the birds' wings. It
makes the straight wire look like it's not level. I've measured over and over again - it is. |
Original: Private Collection
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| Autumn Light & Leaves. Watercolour - 2001. (click on the image!)
I took a drive around Kristiansand last fall during one of our spectacular autumn days and took a couple of rolls of film with mostly macro images of leaves etc. This photo wasn't as captivating as some others, but immediately caught my attention because I thought it lent itself very nicely to a watercolour. I especially enjoy the way the light plays on the leaves to create an overall image which is much more than just 4 maple-leaves. This is the first piece I completed in my new studio here in Norway. |
Original: Private Collection
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| Maple Leaf. Watercolour - 2002. (click on the image!)
When fall arrives I become eager to get out and do as much photography as possible; the colours don't always last long, and you never know when a particular subject might catch your eye and not be the same the next day. With so much rain though, sometimes I don't get much opportunity to take those photos. In this case it was raining and a maple leaf that seemed to have done its very best to hold on to every possible colour caught my eye from the puddle-covered pavement. I picked it up and took it to my studio where I simply sat it on my white countertop and painted it - hence the white background. |
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